Wednesday, October 05, 2005

U2 takes over Conan O'Brien's show - TELEVISION - MSNBC.com

Updated: 5:58 p.m. ET Oct. 4, 2005 NEW YORK - In his 12 years in charge of booking musical guests on Conan O'Brien's Late Night's Jim Pitt always listed U2 and Johnny Cash as the dream artists he's tried but never succeeded in getting. He lost his chance with the late Cash, but the U2 dream is coming true Thursday in a major way.O'Brien will turn over his entire show to the band, which is in New York for seven sold-out engagements at Madison Square Garden."

Tuesday, October 04, 2005

Additional Poetry and Prose by Herman Spector

UNEMPLOYED

"After a morning of pounding the pavements in search of a job, answering Want-Ads for any kind of dirty, ill-paid work, available, a guy feels that he's just about done-up, and is entitled to a rest. There's no point in plugging at it any longer: after eleven o'clock there's nothing doing. Some guys go straight from the joblines to the breadlines. But I had a few pennies left. So I headed for an automat, thinking to warm up with what I call a "coffee-minus", before spreading myself around in my various hang-outs: the 42nd Street Library, free art galleries, penny arcades, etc.

It was too damn cold to walk around much. The wind was hitting it up with a vengeance; a thin, cruel glaze of sleet covered the streets. Pushing through a revolving door, I found myself in the warm, clean-looking restaurant: milkwhite tables glistening all around, people furtively or thoughtfully munching their food, the glint of nickel and neat, clever dishes spotlighted behind glassware like star performers in some vaudeville show. There's nothing that appeals more to the ordinary New Yorker, in weather like this, than an unpretentious, busy cafeteria. In the first place, it has a sort of tabloid look: bright, easy to understand, and optimistic. In the second place, it clicks, and that makes it authentic.

So I held the knob just a little longer than was necessary, and the last drop of coffee dribbled into my cup, and the guy behind me was ready to curse with impatience. Choosing a vacant table, I sat down and slapped my paper down beside me. Other people, I noticed, were sitting alone by preference, and silently regarded each other. Cynical lot of egotists, I thought. I sipped the coffee: it was delicious."
I really liked his writing, beyond our coincidence of circumstance. I just wanted to blog it so I wouldn't forget where this was.

Sunday, October 02, 2005

Neil Young: Prairie Wind: Pitchfork Review

"Neil Young turns 60 in November. In the last year he's survived an aneurysm and a greatest hits album. So why hasn't the man started to sound old? Sure, his voice quavers on some of the high notes on his ambitious new album, Prairie Wind, but he sounds remarkably preserved, showing the same age and wear he's shown for years: That voice-- alternately gentle and strident, tender and outraged-- has held up surprisingly well, gaining gritty authority with age. His few cracks and wrinkles just reinforce the sense of wistful nostalgia that suffuses Prairie Wind as well as almost all his other folk-rock albums since Harvest Moon, if not since Harvest."