Thursday, December 01, 2005

Dowd and Out : Radar Online

Dowd and Out : Radar Online: "Radar talks to Maureen Dowd about her book’s backlash, Rummy’s diva fits and her future life as a playwright.
BY JULIE BLOOM

In the past month she’s been called an “out of whack” (South Florida Sun-Sentinel) “unreconstructed fox” (New York) whose “glib” (L.A. Times), “shoddy,” and “alarmist” arguments in her “maddening” (Slate) “cluster bomb between hard covers” (Philadelphia Inquirer) have riled women and men throughout the media world. Maureen Dowd’s meditation on the state of the sexes, Are Men Necessary?, has caused far more fuss than any 800-word castrating–Dick Cheney column ever could. In her 338 page book peppered with enough pop culture references to reel in the kids and annoy most others, the New York Times’s only female op-ed columnist, whose penchant for puns and fearless jabs at politicos won her a Pulitzer, covers everything from the doomed Y chromosome to the sex lives of fact checkers. Radar Online decided it was about time to ring up the 53-year-old bomb thrower and find out what all the fuss was about."

Sunday, November 27, 2005

Rap 'not cause of French riots'

The French Prime Minister, Dominique de Villepin, has dismissed claims by some of his party colleagues that rap music fuelled suburban rioting in France.

Mr de Villepin told French radio that he wanted to avoid finger-pointing about the origins of the unrest.

But he said that the courts should deal with lyrics that overstepped the mark.

About 200 MPs have urged the justice ministry to prosecute seven rap groups over allegedly provocative lyrics. A probe has begun into one group."

Johnny Cash's Journey Through the Other Side of Virtue - New York Times

Johnny Cash wasn't nearly as handsome as Elvis. His singing voice, while deep and rich, had a tendency to wander off-key. He was the first to admit that he knew very few guitar chords. If performers could be weighed and measured like prizefighters, Cash might have left the oddsmakers in stitches.

Yet there is a power and honesty to his music that few recording artists can match. In his most affecting songs, the gravelly, toxic rumble you hear is Johnny Cash locking horns with his dark side. It's one man's fight for his own soul, a timeless struggle to a rockabilly beat.Just over two years after Cash's death at age 71, the American music legend has returned for an encore in 'Walk the Line,' a film named for one of his signature songs. While the movie revolves mainly around his tangled, forbidden courtship with his eventual second wife, June Carter, it opens at Folsom Prison in California. Inside the penitentiary's walls in 1968 Johnny Cash recorded the live album that for many fans defines the macabre Man in Black, his band's railroad rhythm churning behind him as he sings, 'I shot a man in Reno just to watch him die.' High on amphetamines, this self-proclaimed pioneer of hotel vandalism once took an ax and chopped a brand-new door through the wall of his room. In another drug-induced fit he smashed all the footlights at a Grand Ole Opry show at Ryman Auditorium with his microphone stand. In the second of his two autobiographies, 'Cash,' he wrote that he dwelt on 'the literal meaning of 'hell-bent. ' ' If all Johnny Cash brought to the stage were his demons, we wouldn't need to remember him. Marilyn Manson, the shock rocker, proved far more grotesque than a man in a black suit singing a few country murder ballads. Cash's drug addiction and light brushes with the law pale beside the rapper 50 Cent's drug deals and bullet scars. It is the angel on Johnny Cash's other shoulder that gives his music its depth and profundity. That same murderer in 'Folsom Prison Blues' is penitent, singing: 'Well, I know I had it coming. I know I can't be free.' Cash himself summed it up that he was 'trying, despite my many faults and my continuing attraction to all seven deadly sins, to treat my fellow man as Christ would.' Johnny Cash merges our seemingly contradictory American traditions of outlaws prone to wild gunplay and pious Christians singing hymns, without stopping to explain how you can be both at once.He left the fold at Sun Records because the impresario Sam Phillips wouldn't let him record gospel music. He went a big step further than that, eventually recording an audio version of the New Testament. This was a man who could comfortably recall playing host to the Rev. Billy Graham and killing a crocodile named One Eyed Jack on the same page of his autobiography."

Dave Chappelle Is Alive and Well (and Playing Las Vegas) - New York Times

"IN a cavernous corner of Caesars Palace, flanked by six giant television screens broadcasting three horse races, two basketball games and a hockey match, a massive electronic board provides precise odds on the most doubtful propositions. A one-dollar bet, for example, would earn you $75 if the beleaguered New York Knicks should win the N.B.A. championship, and $200 if the lowly Green Bay Packers could somehow win the Super Bowl. And if you knew whom to ask, and promised to use the information for entertainment purposes only, you could obtain odds on an even more uncertain outcome: that Dave Chappelle would actually show up to his Nov. 19 gig as a headliner of the city's three-day Comedy Festival.He clearly had the support of the locals. 'I'd say it's a thousand to one in favor that he'll make it,' said the casino's chief line-maker, Chuck Esposito, two days beforehand. 'Dave is an overwhelming favorite. It's a lock.'
Bob Crestani, the festival's chief executive officer, seemed just as certain. 'He's our anchor position,' Mr. Crestani said. 'He gets the punch line to end all punch lines.'"